Youtube whammer jammer j geils1/6/2024 ![]() A classy rendition of Fats Waller’s “Jitterbug Waltz” is dedicated to Del Junco’s mentor, Levy. lang, Cassandra Wilson, and Holly Cole-also handles Dobro, mandola, and mandolin on the sprawling Big Boy, which veers from traditional blues to quirky jazz-ska to African-influenced world-beat blues in 5/4 time. Breit-who has recorded and toured with the likes of k.d. ![]() So that’s what I’m doing a lot on the Big Boy CD.”ĭel Junco’s fourth CD, Big Boy-Some Recycled Blues and Other Somewhat Related Stuff showcases his astounding harmonica work alongside Toronto session player Kevin Breit’s killer guitar. It’s like being able to play all the white and the black notes on the piano, every single one of them. Basically, what it does is it gives you all the missing pitches that you would normally not be able to get. “Most people play blues harmonica by shaping the mouth to produce different pitches,” explains Del Junco from his Toronto home, “and overblowing is a continuation of that sort of method. Del Junco utilizes a technique called overblowing, which he learned from jazz virtuoso and former Bela Fleck & the Flecktones harpist Howard Levy. Lately my old fondness for the harmonica has been rekindled by the incredible talent of Toronto’s Carlos Del Junco, who brings his blues quartet to the Yale next Thursday (April 22). Back in high school I used to play the live Full House LP for hours at a time, marvelling at Dick’s command of the instrument, especially when he blew his top on tunes like the harp-driven tour de force “Whammer Jammer”. The first blues harpist I really got into was Magic Dick of the J. ORIGINALLY PUBLISHED IN THE GEORGIA STRAIGHT, APRIL 15, 1999
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